The exhibition features over 60 works of art – from architecture, to installation, photography and other media – with pieces dating from the 1960s through to today, as well as some of the museum’s most recent acquisitions from 20.
Kentridge is the focus of a solo exhibition, Smoke, Ashes, Fable (20 October – 25 February), at St.
The video asks viewers to pause and consider who has the power to commission statues in public spaces – a question that continues to resonate today.
More news secolo di Roma’s latest exhibition of the institution’s permanent collection, titled The Place to Be (opens 1 November).
Nine Goodman Gallery artists – Ghada Amer, Hasan and Husain Essop, Kendell Geers, Samson Kambalu, William Kentridge, Liza Lou, Misheck Masamvu, Yinka Shonibare marks the opening of the first major museum in Africa dedicated to contemporary art.
This show is the first in the museum’s initiative to host international exhibitions, while developing educational and enrichment programmes, encouraging intercultural understanding and facilitating access for all.
The exhibition juxtaposes the work of Josef Albers, a single artist focused on the psychic and emotive qualities of colour, with African and African American artists who confront the historic and contemporary traces of colonialism as they contribute to the power of healing and renewal.
Kentridge directs Alban Berg’s libretto Wozzeck, which premieres at the Salzburg Festival (21 July – 30 August).
In its broad selection of materials and media, the show pays heed to the synergies between the artist’s visual art and stage work, in addition to the particular focal points and formalisations set out in each project.
UCLA’s Center for the Art of Performance presents two performances of William Kentridge’s .
As such, the exhibition explores the studio space as a site of performance.