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overthrowing foreign governments) and it would use Hollywood and the entertainment industry to manipulate the population in order to stay on track with the Illuminati agenda.
What I find most interesting about all of this, is that the Aeon of Horus that Crowley prophesied about is coming through in the entertainment industry through their use of the symbolism of the one eye and also the rising popularity of younger aged stars which supports the worship of children as gods found in the Aeon of Horus.
The formula is referred to as a dactylic hexameter (a concept from poetry and rhythm; which only makes sense it would follow in the music industry) and is a long syllable followed by two short syllables.
Crowley’s second name consists of two spondees which are two long syllables.
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Using examples of familiar pop culture and works of entertainment, Isaac has been speaking and writing about the occult from a unique perspective that seeks to understand the big agenda while helping others along the way.
The influence that I’m speaking of is with the entertainment industry which sends subliminal messaging and guidance to the masses that watch the films and listen to the music of those who fell under Crowley’s spells of black magick (Crowley spells magick with the “k” to differentiate it with the false stage magic).
Crowley is responsible for the modern day popularity with evil and the occult, as is evident by the plethora of symbolism I point out in the entertainment industry (e.g.
all seeing eye, sign of the horns, clothing, music videos, movie posters, etc.).
Crowley was born in 1875 as Edward Crowley but changed his name to Aleister because it followed a formula for fame.
This same formula can be applied to determine musicians’ stage names.